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Pepi luci bom y otras chicas del monton

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In Spanish; English subtitles. Saturday, December 10 , , p. Monday, December 5 , , p. If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material including installation views, checklists, and press releases , please contact Art Resource publication in North America or Scala Archives publication in all other geographic locations. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze scalarchives. For licensing motion picture film footage it is advised to apply directly to the copyright holders.
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Pepi, Luci, Bom y otras chicas del montón

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Pepi, Luci, Bom - Wikipedia

This zany comedy centers on a triangle of women who, initially, could not have been more different in age, class, personality, and lifestyle. Pepi is in her twenties and spoiled; Luci is a victimized housewife in her forties; and Bom a punk musician who is only fifteen. Early on, Pepi Carmen Maura is visited by a policeman Felix Rotaeta who has spotted her marijuana plant from his flat. Forced to work when her father stops sending money, Pepi sets up her own firm, designing ads for multi-purpose underwear and other eccentric items. Bom, the aggressive rock teenage singer, plays with a punk group named Bomitoni. Almodovar parodies female beauty parades, watched by voyeuristic males by putting the male organ on display, thus inverting the male gaze, which prevalent in traditional cinema. A voyeuristic male funds the frivolity, which he observes while cavorting with his bearded wife.
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The director makes use of destabilizing, dissonant, and dissident discourses that question the illusory coherence of the supposedly unified subject. This research highlights the importance of the discourses of psychology and psychoanalysis to understand the artistic representations of universal post-modern sensibilities. Not many film directors are able to create a cinematography that represents the sacrifice of the subject in its becoming a subject of language. His films are characterized by a desire to destroy prevailing cultural, political, and historical models. During the last two decades, his films have created a new world attitude towards the Spanish character, and have contributed to a new understanding of Spanish subjectivities that remained hidden until recently.
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