JORINDE VOIGT
1 The world is everything that is the case.
2 What is the case, the fact, is the existence of atomic facts
2.01 An atomic fact is a combination of objects (entities, things)
2.013 Every thing is, as it were, in a space of possible atomic facts. I can think of this space as empty, but not of the thing without the space.
2.032 The way in which objects hang together in the atomic fact is the structure of the atomic fact.
Voigt’s experiments do not necessarily consist of homogeneous elements drawn from a particular thematic area or a concrete field of perception. Thus an eagle’s ascent can be stimulated by a bar from a certain pop song. In principle such a systematic repetition and arrangement of a conceived fact gives rise to chain reactions of various kinds which frequently enable geometrical asymmetries and involve mathematically calculated fractals (Mandelbrot tree).
...In her both contemplative and “rampant” way of thinking in drawing (drawing as thinking), Jorinde Voigt takes the linguistic possibilities of the linear-based drawing in the present to a whole new level.
2 What is the case, the fact, is the existence of atomic facts
2.01 An atomic fact is a combination of objects (entities, things)
2.013 Every thing is, as it were, in a space of possible atomic facts. I can think of this space as empty, but not of the thing without the space.
2.032 The way in which objects hang together in the atomic fact is the structure of the atomic fact.
(Wittgenstein, Tractatus logico-philosophicus (1921), transl. by C.K. Ogden)
Voigt’s experiments do not necessarily consist of homogeneous elements drawn from a particular thematic area or a concrete field of perception. Thus an eagle’s ascent can be stimulated by a bar from a certain pop song. In principle such a systematic repetition and arrangement of a conceived fact gives rise to chain reactions of various kinds which frequently enable geometrical asymmetries and involve mathematically calculated fractals (Mandelbrot tree).
...In her both contemplative and “rampant” way of thinking in drawing (drawing as thinking), Jorinde Voigt takes the linguistic possibilities of the linear-based drawing in the present to a whole new level.
Text by Dr. Andreas Schalhorn, Berlin 2008Via
